Originally posted on The Public Domain
To mark the 100 years since Australian and New Zealand Army Corps (ANZAC) fought the Gallipoli campaign of WW1, Alison Wishart, Senior Curator of Photographs at Australian War Memorial, explores the remarkable photographic record left by the soldiers. Made possible by the birth of Kodak’s portable camera, the photographs give a rare and intimate portrait of the soldier’s day-to-day life away from the heat of battle.
2015 marks the centenary of one of the most commemorated events in Australia’s military history. One hundred years ago, at dawn of 25th April, boatloads of Australians and New Zealanders quietly landed on Turkey’s Gallipoli Peninsula at a beach that became known as Anzac Cove.
Had Australia’s military commanders and elected leaders known how significant this event was to become in Australia’s history and the development of its national identity, they might have thought to send official photographers or war artists. But they didn’t. Instead, the photographic record of the nine month Gallipoli campaign relies primarily on the images taken by soldiers.
Fortunately, Kodak had released its ‘Vest Pocket’ camera in 1912, which made taking a camera to the front more feasible. Kodak encouraged enlistees…
Read original: Gallipoli: Through the Soldier’s Lens | The Public Domain Review.
Originally posted on CURNBLOG
by Pete Johnson
This August sees the centenary of the First World War. This tragic conflict destroyed nations, took millions of lives, and changed the map of the world. Many films have been made about this war, and this seems a suitable time to examine some of them. I normally seek out lesser-known films for my posts; but on this occasion, I have decided that the circumstances warrant a reminder of the best films made about this terrible war.
At the end of hostilities in 1918, films soon began to appear. They mostly portrayed the victors, justly winning a noble and worthwhile war. Although the first film in this list is from sometime later, 1930, by which time there had been a chance to reflect on the loss, and perhaps to question the validity of all this carnage.
Please be aware that all these reviews contain plot spoilers.
All Quiet On The Western Front (1930)
So much has been written about this film, I feel little need to add more. I will though, for the benefit of anyone who has never seen it. The film is a faithful adaptation of the German novel of the same name by Erich Maria Remarque, published in 1929. Although it follows the fortunes of a group of young Germans, the film was made in the USA, directed by Louis Milestone, and starred Lew Ayres and Louis Wolheim. Like the book, the film takes an obviously anti-war stance. We see impressionable schoolboys…
Read more Lest We Forget: The Great War and Cinema – CURNBLOG